In this episode of The Envelope, 'The Last Showgirl' star Pamela Anderson reflects on her life in the spotlight and John Magaro delves into the making 'September 5.'

Suffice it to say, pop culture and the entertainment industry didn’t objectify Pamela Anderson through the 1990s because of her voice; her cachet grew commensurate with the display of her bust, the cut of her swimsuit,

The actress stars as a dancer at a Las Vegas revue on its last fishnet leg in Gia Coppola’s sensitive and beguiling film.

This evening’s premiere of the Anderson starring The Last Showgirl at the Chinese Theatre in Hollywood has been cancelled, we hear.

Canadian girl next door, Baywatch MVP, animal-rights activist, author, and the No. 1 spokesperson for going makeup–free - is experiencing what folks have dubbed a comeback. Since she first showed up in the pages of Playboy and graced the sitcom Home Improvement,

“I’m beautiful,” she says before a friend walks her offstage. “I’m 57, and I’m beautiful, you son of a bitch!”

The mob-run city of the mid-20th century gave way to "legitimate" business moguls taking control of the casinos, which in turn led to a pivot toward making the Strip "family friendly," before a return to the "What happens in Vegas, stays in Vegas" mantra in megaresorts run by corporations.

Shot in Las Vegas over 19 days in February 2024, this indie drama is a compassionate study of families, both found and biological.

Pamela Anderson talks about the important role her son Brandon played in landing her role in The Last Showgirl, working with Gia Coppola on the film and why she chooses to style herself.