The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to get used to: "it took the first day of shooting and a mini panic attack."

Smart, concise, and wonderfully wrought as only director Steven Soderbergh can do, “Presence” is a modern ghost story with the director starring as the ghost. ‘Presence’ (IMDb)

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.

Moviefone speaks with Lucy Liu and Chris Sullivan about Steven Soderbergh's 'Presence'. "It was really a dream come true working with Steven," Liu said. Moviefone recently had the pleasure of ...

The film stars Lucy Liu, Chris Sullivan, Eddy Maday, and Callina Liang, and explores themes of trauma, family dynamics, and the supernatural.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.

The intimate supernatural drama stars Lucy Liu and Chris Sullivan as homeowners with an unexpected houseguest. With Presence, Steven Soderbergh Resurrects the Ghost Story: Review

Callina Liang’s Chloe, Chris Sullivan’s Chris, Eddy Maday’s Tyler, Lucy Liu’s Rebecca and Julia Fox’s Cece in Steven Soderbergh’s Presence Peter Andrews/The Spectral Spirit Company ...

Presence” captures the unfiltered rawness of family life through the point-of-view of a ghost in an exceptionally experimental way. As a family settles into their new house, secrets and tensions are revealed while the plot unravels into a nail-biting,

Steven Soderbergh’s “Presence” requires some initial audience disorientation. Mistake? If so, why do we miss David Lynch so much?