The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.
Presence' writer David Koepp on the devastating reveal of who is the ghost in the house, working with Steven Soderbergh and ...
Steven Soderbergh's experimental camerawork drives the first-person perspective in Presence, and results in an unsettling ...
When you buy through links on our articles, Future and its syndication partners may earn a commission.
The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to ...
A haunted house story, told from the perspective of the ghost: that's the elevator pitch for Steven Soderbergh's new film, ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...
I need to be scared of something,” Steven Soderbergh tells me as we sit down to discuss his new film, Presence. “Every movie that I have worked on, there’s gotta be a pocket of fear about some aspect ...
Presence, Steven Soderbergh’s first foray into horror, finds a new way to scare, understanding that every haunted house story ...
After an abrupt cut to black, “Presence” begins its ... you notice the suffering of others more acutely.” For director Steven Soderbergh, “Presence” represents an efficiently produced ...
Presence, Steven Soderbergh’s latest, is a tight 85-minute family story set in a single absolutely gorgeous foursquare ...