Many Charlotte-area residents are familiar with some of the more notable figures in local Black history, people like Harvey Gantt, the first Black student accepted to enroll at Clemson University who ...

he met and befriended Harold Mabern who introduced him to tenor saxophonist George Coleman. Both Harold and George became major influences on Farnsworth's playing. During this time, Joe also sought ...

Click the FOLLOW button to be the first to know about this artist's upcoming lots, sold lots, exhibitions and articles A. Coleman is a 19th Century artist who was born in the 19th Century. How much ...

An exhibition at the Hammer Museum shows why. By Siddhartha Mitter A jury found them guilty of conspiring as part of a crew to steal art, sports memorabilia and artifacts from smaller museums.

The artist has a long history with Donald Trump ... I spoke to @vmagazine about why I’ll be voting for Joe Biden for president. So apt that it’s come out on the night of the VP debate.

SMOKE Debuts: Nabaté Isles (Apr 3) and Walter Smith III (Apr 4-7); SMOKE’s 25th Anniversary Celebration: George Coleman and Special Guests (Apr 10-14); Ode to Joe: Celebrating the Music of Joe ...

Plastered across campus are posters, stickers, and works of art. Characters with big eyes staring outside of bus stops and ...

At a time when painter Joe Diggs of Osterville has never been busier, it is appropriate that he has been selected as the Arts ...

An evening of words and music with Turner Prize-winner Martin Creed at The Model, Pugin Revisited at the IAA, and the Doorway Gallery focuses on the magnificence of horses ...

Una, who recently split from her jockey boyfriend Aidan Coleman, shares two children, Aoife, 12, and Tadhg, 10, with Ben. The former rugby player currently lives in the US with his wife Jackie ...

Joe Edwards is a Live News Reporter based in Newsweek's London Bureau. He covers U.S. and global news and has a particular interest in U.S. and U.K. politics and social policies. Joe joined ...

This compact yet brilliant show looks at how painters responded to the subjugation of real life in the 1960s media age, with its explosion of photos, film and mass reproduction.