The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.
Presence' writer David Koepp on the devastating reveal of who is the ghost in the house, working with Steven Soderbergh and ...
The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to ...
Steven Soderbergh's experimental camerawork drives the first-person perspective in Presence, and results in an unsettling ...
The Canadian Press on MSN1d
Soderbergh's fear in shooting a ghost's roaming POV: 'Don't fall down the stairs'A haunted house story, told from the perspective of the ghost: that's the elevator pitch for Steven Soderbergh's new film, ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...
LONDON — Steven Soderbergh has been thinking about ghosts ... [realized] what the conceit was that there’s nothing to cut to,” he said. “So you would drop that expectation.” ...
Presence, Steven Soderbergh’s first foray into horror, finds a new way to scare, understanding that every haunted house story ...
Lindsey Bahr of the AP gives the movie 3 out of 4 stars, saying as director and cinematographer, Steven Soderbergh really IS the ghost, and he weaves quite the “chillingly effective tale” that packs ...
Maybe not surprised, but it’s always delightful when Steven Soderbergh leaves me a message ... Were you able to watch a rough cut before you flew home? No, I knew that there was still plenty ...
After an abrupt cut to black, “Presence” begins its ... you notice the suffering of others more acutely.” For director Steven Soderbergh, “Presence” represents an efficiently produced ...
Presence, Steven Soderbergh’s latest, is a tight 85-minute family story set in a single absolutely gorgeous foursquare ...
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